Terrence McNally
1938 – 2020
The “bard of American theater” who spent six decades chronicling the human need for connection, championing LGBTQ+ lives, and winning five Tony Awards before his death from COVID-19 complications.
Terrence McNally (November 3, 1938 – March 24, 2020) was an American playwright, librettist, and screenwriter. Described as “the bard of American theater” and “one of the greatest contemporary playwrights the theater world has yet produced,” McNally was the recipient of five Tony Awards. He won the Tony Award for Best Play for Love! Valour! Compassion! and Master Class, and the Tony Award for Best Book of a Musical for Kiss of the Spider Woman and Ragtime, and received the 2019 Tony Award for Lifetime Achievement.
From Texas to Broadway
McNally was born November 3, 1938, in St. Petersburg, Florida, to Hubert Arthur and Dorothy Katharine (Rapp) McNally, two transplanted New Yorkers from Irish Catholic backgrounds. His parents ran a seaside bar and grill called The Pelican Club, but after a hurricane destroyed the establishment, the family relocated briefly to Port Chester, New York, then to Dallas, Texas, and finally to Corpus Christi, Texas. There Hubert McNally purchased and managed a Schlitz beer distributorship, and McNally attended W.B. Ray High School.
Despite his distance from New York City, McNally’s parents enjoyed Broadway musicals. When McNally was eight years old, his parents took him to see Annie Get Your Gun, starring Ethel Merman, and on a subsequent outing, McNally saw Gertrude Lawrence in The King and I. McNally later said: “When I saw On the Town, with Frank Sinatra and Gene Kelly and Jules Munshin with the Staten Island Ferry and the Empire State Building, I said: ‘That’s where I want to live.’ I’ve never regretted it.”
In high school McNally was encouraged to write by a gifted English teacher, Maurine McElroy (1913–2005). He dedicated both his collection Apple Pie (1968) and Frankie and Johnny to her.
Columbia College
He enrolled at Columbia College in 1956. There he especially enjoyed Andrew Chiappe’s two-semester course on Shakespeare in which students read Shakespeare’s plays in roughly the order of their composition. He joined the Boar’s Head Society and wrote Columbia’s annual Varsity Show, which featured music by fellow student Edward L. Kleban and was directed by Michael P. Kahn. He graduated in 1960 with a B.A. cum laude in English and membership in Phi Beta Kappa Society.
In 1961, McNally was hired by novelist John Steinbeck to tutor his two teenage sons as the Steinbeck family took a cruise around the world. On the cruise McNally completed a draft of what became the opening act of And Things That Go Bump in the Night. Steinbeck asked McNally to write the libretto for Here’s Where I Belong, a musical version of the novel East of Eden.
Six Decades of Theatre
Major Plays & Musicals
Plays
| Year | Title | Notes |
|---|---|---|
| 1964 | And Things That Go Bump in the Night | Broadway debut; put homosexuality squarely on stage |
| 1968 | Next | Directed by Elaine May, starring James Coco; greatest early acclaim |
| 1968 | Botticelli | Two American soldiers in the jungle |
| 1968 | ¡Cuba Si! | Satirizes American disdain for revolution; starred Melina Mercouri |
| 1971 | Where Has Tommy Flowers Gone? | Celebrates and mourns ineffectiveness of American youth movement |
| 1974 | Bad Habits | Satirizes American reliance on psychotherapy; won Obie Award |
| 1975 | The Ritz | Farce set in a gay bathhouse; adapted for film in 1976 |
| 1985 | It’s Only a Play | Premiered at Manhattan Theatre Club, starring Christine Baranski and Joanna Gleason |
| 1987 | Frankie and Johnny in the Clair de Lune | Off-Broadway production; later adapted for screen with Al Pacino and Michelle Pfeiffer |
| 1989 | The Lisbon Traviata | Starred Nathan Lane |
| 1991 | Lips Together, Teeth Apart | Two married couples spend Fourth of July on Fire Island; fear of using pool after AIDS death |
| 1994 | Love! Valour! Compassion! | Examines relationships of eight gay men; won Tony Award for Best Play |
| 1995 | Master Class | Character study of Maria Callas; won Tony Award for Best Play |
| 1998 | Corpus Christi | Jesus and disciples portrayed as homosexual; subject of protests and fatwa |
| 2007 | Deuce | Starred Angela Lansbury and Marian Seldes; limited Broadway run of 121 performances |
| 2014 | Mothers and Sons | First legally wed gay couple on Broadway; nominated for Tony for Best Play |
| 2018 | Fire and Air | Explores history of Ballets Russes, focusing on Sergei Diaghilev and Vaslav Nijinsky |
Musical Theatre
| Year | Title | Collaborators & Notes |
|---|---|---|
| 1968 | Here’s Where I Belong | Libretto for musical version of East of Eden; commissioned by John Steinbeck |
| 1984 | The Rink | Music: John Kander, Lyrics: Fred Ebb; McNally’s first Broadway musical |
| 1992 | Kiss of the Spider Woman | Music: John Kander, Lyrics: Fred Ebb; won Tony for Best Book of a Musical |
| 1996 | Ragtime | Music: Stephen Flaherty, Lyrics: Lynn Ahrens; won Tony for Best Book of a Musical |
| 2000 | The Full Monty | Music/Lyrics: David Yazbek; nominated for 12 Tony Awards |
| 2001 | The Visit | Music: John Kander, Lyrics: Fred Ebb; 15-year development to Broadway in 2015 |
| 2002 | A Man of No Importance | Music: Stephen Flaherty, Lyrics: Lynn Ahrens; premiered at Lincoln Center |
| 2005 | Chita Rivera: The Dancer’s Life | Music: Stephen Flaherty, Lyrics: Lynn Ahrens |
| 2011 | Catch Me If You Can | Premiered on Broadway |
| 2016 | Anastasia | Premiered on Broadway |
Opera
Opera Librettos
- Dead Man Walking (2000) — Music by Jake Heggie; premiered at San Francisco Opera; received over 40 productions worldwide, making it “one of the most successful American operas in recent decades”
- Three Decembers (2008) — Chamber opera, music by Jake Heggie, libretto by Gene Scheer based on McNally’s unpublished text Some Christmas Letters
- Great Scott (2015) — Music by Jake Heggie; premiered at Dallas Opera starring Joyce DiDonato and Frederica von Stade
Opera Quiz Panelist
For nearly 30 years (1979–2008), McNally was a member of the Texaco Opera Quiz panel that fielded questions during the weekly Live from the Met radio broadcasts. His voice may have been more familiar with opera fans than theater-goers.
AIDS, Activism & Human Connection
The rapid spread of AIDS fundamentally changed McNally’s writing. After the failure of Broadway, Broadway in 1978 and living briefly in Hollywood, he returned to New York City and formed an artistic relationship with Manhattan Theatre Club. McNally’s work during this period became increasingly focused on the AIDS crisis and its devastating impact on the gay community.
Theatre teaches us who we are, what our society is, where we are going. I don’t think theatre can solve the problems of a society, nor should it be expected to. People do. But plays can provide a forum for the ideas and feelings that can lead a society to decide to heal and change itself.
In 1990, McNally won an Emmy Award for Best Writing in a Miniseries or Special for Andre’s Mother, a drama about a woman coping with her son’s death from AIDS. A year later, in Lips Together, Teeth Apart, two married couples spend the Fourth of July weekend at a summer house on Fire Island. They are all afraid to use the pool given that its owner has just died of AIDS.
Love! Valour! Compassion! (1994), which examined the relationships of eight gay men, marked a significant shift in how gay lives were portrayed on Broadway. The play won McNally his second Tony Award. Mothers and Sons (2014), an expansion of Andre’s Mother, marked the first time a legally wed gay couple was portrayed on Broadway.
For McNally, the most important function of theatre was to create community and bridge rifts opened between people by differences in religion, race, gender, and particularly sexual orientation. His work centered on the difficulties of and urgent need for human connection.
Corpus Christi Controversy
In 1998, McNally’s Corpus Christi became the subject of intense protests. The play, which portrays Jesus and his disciples as homosexual, was initially canceled because of death threats against the board members of the Manhattan Theatre Club. The board relented after several playwrights, including Athol Fugard, threatened to withdraw their plays if Corpus Christi was not produced.
A crowd of almost 2,000 protested the play as blasphemous at its opening. After it opened in London in 1999, a group called the “Defenders of the Messenger Jesus” issued a fatwa sentencing McNally to death. In a 2008 revival at Rattlestick Playwrights Theatre, The New York Times noted that “without the noise of controversy, the play can finally be heard.”
Awards & Recognition
Additional Honours
- Two Guggenheim Fellowships (1966, 1969)
- Rockefeller Grant
- Four Drama Desk Awards
- Two Lucille Lortel Awards
- Three Hull-Warriner Awards
- Honorary degree from Juilliard School (1998)
- Lotos Club State Dinner honoree (2016)
- Honorary doctorate from New York University (2019)
- Named one of Queerty’s Pride50 “trailblazing individuals” (2019)
Personal Life & Relationships
Early Relationships
In his early years in New York City, McNally’s interest in theatre brought him to a party where, departing, he shared a cab with Edward Albee, who had recently written The Zoo Story and The Sandbox. They functioned as a couple for over four years during which Albee wrote The American Dream and Who’s Afraid of Virginia Woolf?
McNally was frustrated by Albee’s lack of openness about his sexuality. McNally later said: “I became invisible when press was around or at an opening night. I knew it was wrong. It’s so much work to live that way.” After his relationship with Albee, McNally entered into a long-term relationship with the actor and director Robert Drivas. Drivas and McNally broke up as a couple in 1976; they remained close friends until Drivas died of AIDS-related complications ten years later.
Marriage to Tom Kirdahy
McNally was partnered to Tom Kirdahy, a Broadway producer and a former civil rights attorney for not-for-profit AIDS organizations, following a civil union ceremony in Vermont on December 20, 2003. They married in Washington, D.C., on April 6, 2010. In celebration of the Supreme Court’s decision to legalize same-sex marriage in all 50 states, they renewed their vows at New York City Hall with Mayor Bill de Blasio, Kirdahy’s college roommate, officiating on June 26, 2015.








